Topic Guide

What Is Screenwriting?

Screenwriting is a subject covered in depth across 4 podcast episodes in our database. Below you'll find key concepts, expert insights, and the top episodes to listen to — all distilled from hours of conversation by leading experts.

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Key Concepts in Screenwriting

World-building

This term, often associated with visual effects (VFX) and creating entirely non-existent environments (like superhero movies), is explored by Gyllenhaal as a tool to craft unique, blended realities in her films. She uses it to describe creating a technically 1936 setting for *The Bride* that is infused with elements of 1981 downtown New York and modern aesthetics, and sees it as a tool that few women have had the chance to utilize.

Tailored direction

Gyllenhaal's approach to directing actors involves adapting her communication and feedback style to each individual's personality and needs. She learned that a method effective for one actor (like Jesse Buckley) might not work for another (like Olivia Colman), emphasizing the importance of emotional intelligence and flexibility on set to elicit the best performances.

Staff review

This is Conan O'Brien's comedic format for assessing and interacting with his team members on the podcast. It's presented as an opportunity for playful teasing, mock criticism, and surprising revelations about staff careers.

Decoy conan

A humorous concept invented by Conan O'Brien, where he claims to have hired Sean Doherty (due to their physical resemblance) to serve as a body double. The purpose was to draw out and absorb assassination attempts, inspired by Saddam Hussein's alleged use of lookalikes.

The apartment homage

Sean Doherty's recently sold screenplay is described as paying tribute to the 1960 Billy Wilder film, *The Apartment*. This implies a specific comedic and narrative style, likely involving romantic entanglements and workplace dynamics, adapted for a high school setting.

Sexy indifference

A term coined by Will Arnett describing the powerful, expressionless demeanor of buyers in a pitch meeting, contrasting with the 'circus clown' enthusiasm required of sellers. Charlie Day notes that having this indifference can be a strategic advantage in negotiations.

What Experts Say About Screenwriting

1.Maggie Gyllenhaal prefers directing over acting, as it offers the ability to control the entire vision and create a free, expressive space for all collaborators, rather than just protecting her own performance [07:09].
2.She initially did not allow herself to fantasize about directing due to a lack of female role models in the field, only realizing it was a possibility after playing a director on TV [09:11].
3.Gyllenhaal's directorial approach to actors involves tailoring her communication style to each individual, learning to speak a different 'language' for performers like Jesse Buckley versus Olivia Colman [15:19].
4.The idea for her second film, *The Bride*, originated from seeing a Bride of Frankenstein tattoo and wondering about the character's perspective, specifically a person brought back to life without their consent [25:29].
5.She intentionally writes and directs stories that explore "dangerous" or "scary" personal emotional territory, finding that these topics allow for the most pages to be filled and the most exciting work [28:33].
6.Directing *The Bride* forced Gyllenhaal to learn new filmmaking tools, such as shooting for IMAX with changing aspect ratios and world-building techniques, in what she felt was a "master class" experience [42:47].